I nearly walked away from writing this essay. Trendy or current topics usually make me turn the other way, but I'm making an exception today. I'm not sure if you watched the interview with Jony Ive and Patrick (CEO of Stripe) last week. It's
This is it. After two weeks spent poring over your welcome packet, studying the internal Wikipedia, jotting down countless ideas and agonizing over your first-day outfit, you’re here.
You see the edited Instagram post. Not the countless photos and strained angles it took to get that shot. You see the launched product. Not the dozens of failed ones that never saw the light of day. You see a shark attack in the headlines. Not the thousands of people
Our latest interview in the Design Around the World series continues our journey through Egypt, this time with Cairo-based freelance designer, Nora Aly.
Our life is an endless feed of opportunities. In search of them, we swipe by them.
As creative people, we know that presentation means everything. Yet when it comes to presenting our own work, we tend to sell ourselves short.
If you read modern fiction, you’ve probably seen one of Adalis Martinez’s book cover designs, or have one your shelf.
The human-centered design process — from empathy and research to rapid prototyping, iteration, and so forth — often helps us to bring meaning, joy and discovery into other people's worlds. But what if this same design mindset could be used to design ourselves and our lives?
An emotional tech product is a lifestyle product. It doesn’t necessarily solve a problem. It’s there for entertainment. It’s not a product that people need, it’s a product they choose. Think Netflix, TikTok or Instagram.
Your Work page (often your homepage), is your first impression. It tells the story of your work when you're not there to do it. And with Semplice, there are many ways to tell that story.
As a freelance designer, you are your own brand. So it's always interesting to see how independent designers position themselves through their portfolio.
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